A tech enthusiast and writer with over a decade of experience in digital innovation and startup ecosystems.
An activist organization has stated to have harvested a vast number of songs from Spotify and is preparing to publish them publicly.
Industry experts noted the seeming leak could boost artificial intelligence firms looking for data to train their technology.
A group known as Anna’s Archive reported it had obtained 86 million audio tracks from Spotify and 256 million rows of associated data such as artist and album names. The company, which hosts more than 100 million songs, confirmed that the leak did not represent its entire inventory.
“We have located and disabled the malicious user accounts that were involved in unlawful scraping,” stated a Spotify spokesperson.
The Stockholm-based company, which has more than 700 million users worldwide, further explained that an investigation into unauthorised access identified a external actor collected public metadata and employed questionable methods to bypass DRM [digital rights management].
The streaming service does not think the music acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to copyright-infringing books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
They asserted the audio files accounted for 99.6% of all music listened to by Spotify users and would be shared via ‘torrents’, a means of exchanging large data files online.
“Naturally the service doesn’t have all the music in the world, but it’s a fantastic beginning,” commented Anna’s Archive, which describes its mission as “safeguarding humanity’s knowledge and culture”.
Ed Newton-Rex for protecting artists’ rights, remarked the leaked music would probably be utilized for training artificial intelligence systems.
“Educating models on pirated data is sadly widespread in the AI industry, so this stolen music is almost certain to be used instructing AI models,” he said.
The group's website makes references to a large online archive, a huge online repository of pirated books that has reportedly been used by the parent company of Facebook to develop its systems.
The co-founder of an AI startup wrote on LinkedIn that members of the public could in principle “create their own personal free version of the service”. He said it could also allow tech companies to “educate models on modern music at scale”.
Copyright has become a key issue between creatives, authors and creatives on one side and tech giants on the other.
Across Britain, creative professionals have protested against a government proposal to let AI companies use copyright-protected work without permission unless the owner opts out. Almost every respondent to a government call for evidence on the idea has backed artists’ apprehensions.
The secretary of state for technology, research and development informed parliament this month there was “little consensus” on the matter, noting that ministers would “use the time to get this correct”. The government has pledged to make regulatory plans on AI and copyright by March 2025.
A tech enthusiast and writer with over a decade of experience in digital innovation and startup ecosystems.